Archive for ivo andric

Killing Bosnia’s Ghosts: Fighting to Remember the Balkan War Genocide

Posted in Uncategorized with tags , , , , , , , , on April 26, 2014 by visegrad92

On  the day that Bosnian Serb authorities finally went to remove the word “genocide” from the memorial plaque commemorating the mass killing of Muslims in Visegrad in 1992, Bakira Hasecic woke up early, along with a few other women.

She had stayed overnight in the house she still owns in the eastern Bosnian town, although she now lives in Sarajevo. The morning was brisk but not particularly cold, a rarity in those January days.

Their intention was to stop what they saw as desecration of the memorial. They were too late.

When she arrived at the Straziste Muslim cemetery, 150 police in riot gear were lined up along the road, some shaking off the crisp mountain air, others laughing at her.

Visibly distressed and with her legs shaking, Bakira hurried to cover the gravestones bearing the names of Serb war criminals Milan and Sredoje Lukic and T-shirts printed with the names of those who died.

A local woman discreetly wrote “genocide” back on the memorial in lipstick. The inscription, once chiselled into the stone, had been removed by a workman with an angle grinder.

The Stražište memorial

The Stražište memorial in VisegradIBT

“They are bothered by the word ‘genocide’. They cannot face the truth,” Bakira, a survivor of the Balkan war who was raped multiple times by Serb paramilitaries led by Milan Lukic, told IBTimes UK.

After 20 years, a bitter struggle over collective memory still haunts this sleepy town in Republica Srpska, the ethnically cleansed enclave carved out in the 1992-95 conflict.

What Bosnian Serbs did to Muslims in 1992 they are still doing today, minimising and concealing those crimes.
Bilal Memisevic

In August 1992, while the capital Sarajevo was under siege, Visegrad, strategically located on the majestic River Drina between Bosnia and Serbia, was taken over by Serb forces and purged of its majority Muslim population in a campaign of terror carried out by Lukic and his cousin Sredoje.

Muslim men were rounded up and murdered. Hundreds of women were detained and mass-raped at the spa, the infamous Vilina Vlas. Women, children and elderly people were locked in houses and burnt to death.

A widespread culture of denial in Visegrad is now being encouraged by Serb nationalists who want separatism from Bosnia.

“What Bosnian Serbs did to Muslims in 1992 they are still doing today, minimising and concealing those crimes,” says Bilal Memisevic, president of the local Muslim community.

Barimo

Barimo is a hamlet nestled in the folds of the hills, at 15-minute car ride from Visegrad, along the emerald waters of the Drina.

Only 78 Bosnian Muslims lived there before the war, in modest houses overlooking green meadows and plum orchards on the riverbanks. In the early hours of August 1992, Serb forces entered the village for a killing spree. Twenty-six people – mostly women and children – were massacred.

Barimo memorial

Memorial in Barimo for those who were killed in 1992IBT

Resident Suljo Fejzic was sheltering with his family in a village above Barimo. He sneaked into the village that morning, finding his way among the bushes and the mountain pines.

“When we entered the village all the houses were burning. Everything was burning,” he recounts.

“At the bank of the river they executed 12 people and put the bodies in a pile, at the place where the stream joins the river Drina. Later when we got back to the village, we came across people who had been killed trying to escape, we found people who had been shot in the head while lying on the ground”.

The river

The oldest victim was Hanka Halilovich, who was born in 1900, and the youngest was 12-year-old Fadila Bajric. As late as 2004, Fejzic and other villagers kept finding bodies in half-burnt houses, the victims executed with their faces in the dirt.

“But the largest mass grave is the river,” he tells IBTimes UK, pointing to where a silent stream meets the Drina.

Bodies of lifeless Muslims were floating on the Drina like ants. My house was near the bank of Drina, which was filled with blood.
Bakira Hasecic

The river and the grand 16th-century bridge built on 11 arches that decorates Visegrad were made famous by the 1945 masterpiece by Nobel prize-winning writer Ivo Andric in The Bridge on the Drina. The novel captures the construction of the Mehmed Paša Sokolović Bridge and the uneasy relationship between the cultures of Christian Europe and the Islamic Ottoman Empire, a relationship that still exists albeit in a different form.

A Unesco World Heritage Site, the bridge became during the war the nightmarish bloodsoaked centre of the town, a place where Bosnian Muslim men, women and children were slaughtered by Bosnian Serb paramilitary forces and thrown into the river. Lukic troops used to grab any piece of glass they could find and slit the throat of innocent civilians. One victim was found with a screwdriver in their neck.

River Drina and the Bridge

The Bridge on the Drina river in VisegradIBT

“Bodies of lifeless Muslims were floating on the Drina like ants. My house was near the bank of Drina, which was filled with blood,” says Bakira Hasecic.

This immense, underwater graveyard is the perfect metaphor for Visegrad, where the past is “unforgiven, unforgotten, unresolved” as correspondent Alec Russell put it.

Before the war, 63% of the town’s 25,000 people were Bosnian Muslims. Despite the Dayton peace agreement calling for the Bosnian Muslims to be able to return to their homes, only around 5% have come back.

“Only a few have returned to the town itself. Most have gone back to the surrounding villages where they can be with other returnees, earning a living from livestock and agriculture,” says Jasna Causevic, of the German group Society for Threatened Peoples.

Sometimes, though, the past emerges in full force from the swamps of history.

When in 2010 the water levels of the reservoir behind the Bajna Bast hydroeletric dam – called Lake Perucac – further downstream were lowered the remains of more than 160 civilian victims from Visegrad were found in a 50km-stretch of lake bed.

forensic expert from the International Commission On Missing Persons uncovers human remains near the eastern Bosnian town of Visegrad

Forensic expert from the International Commission On Missing Persons uncovers human remains near the eastern Bosnian town of VisegradAFP/Getty Images

At least 3,000 Muslims were massacred in the eastern Bosnian town. But to many Serbs the 1992 attack was a preventive strike whose aim was to avoid a repetition of past slavery under the Ottomans.

Muslims used to prosper under the Ottoman Empire but the Serbs were serfs, uneducated and exploited for manual labour.

President Slobodan Milosevic’s idea of a “Greater Serbia” appealed to many of his local countrymen and laid the foundation for the massacre that followed.

At the start of the 1992 war, short-term actions of resistance by Bosniaks provided the perfect excuse for an alternative Serbian narrative of the war. A small group of Bosniaks took control of the Bajna Basta dam on Lake Perucac and threatened to open it, threatening massive flooding downstream and sabotaging the electricity supply to parts of Serbia.

Adem Omeragic house

The battle for memory and the power to write history are entangled in the bare bricks of another key building of the town. On Pionirska Street, the Serb administration wants to demolish Adem Omeragic’s house, where one of the worst atrocities of the war was committed by Milan Lukic.

Such was its ferocity that it was singled out by the International Criminal Tribunal for the former Yugoslavia.

At least 59 Muslim women, children and elderly people were locked in the house and burned alive after they had been rounded up, raped, sexually abused and robbed. Some witnesses put the death toll higher.

“Some of them who survived sexual abuse were killed in one of the rooms in the basement. There were the remains of more than 70 of them, 49 women alone and about 20 children after the burning and devastation,” says Bakira Hasecic.

With her Association of Women Victims of War, Hasecic rebuilt the house in two weeks and says she has been given permission by the owner to turn it into a memorial.

Adem Omeragic house in Pionirska Street

Adem Omeragic house in Pionirska StreetIBT

“We reconstructed the house from the same material, exactly the way it used to be before, identical to how it was before it was burned with people inside,” she says.

“However, I encountered resistance in the municipality of Visegrad. What I had to suffer on those days when we started rebuilding the house in some moments was more difficult than 1992. Every day, for about 12 days when we began to work behind the house, some 15 to 20 police officers would come in, obstruct us, and put pressure on us.”

Serbs are not allowed to make any kind of memorial in Sarajevo, where I lived for some 18 years
Slavisa Miskovic

The municipality claims that according to the town’s planning map, a road was due to be built through the place where the house stood. The mayor of Visegrad, Slavisa Miskovic, confirms that  “manipulacija”, political manipulation, is playing a part.

“No one denies that a crime happened there, but what is happening now is to do with the building of the road. I didn’t come up with this proposal, these proposals were inherited from the previous administration,” the mayor says.

Bakira Hasecic

Bakira HasecicIBT

In the gentle wrinkles of her face, Bakira still shows the psychological scars of sexual violence and abuse.In 1992, she was forced to watch as a group of Serbs that included her next-door neighbour raped her 18-year-old daughter.

The girl’s head was cracked with a rifle butt but she managed to survive. Her sister, however, was raped and killed by Lukic troops in the infamous rape camps of Vilina Vlas spa. Bakira herself was raped countless times in her home and at the local police station.

“I was a happy woman, I worked in the municipality, 90% of my friends were Serbs and they killed everything that was beautiful in me,” she says.

Erasing the past

The Serb Democratic Party (SDS), which has run Visegrad municipality since October 2012, denies that there has been any “disturbance” against Muslim returnees in the town and seizes on legal jargon to erase memories of the 1992 genocide.

Slavisa Miskovic, the mayor, is an outspoken and animated man who at first sight bears no resemblance to the perpetrators of the war. He talks of respect for all victims of war, regardless of nationality and ethnic origin, and cautiously admits that not enough has been done for Bosniak returnees in Bosnia and Herzegovina.

But when he turns to the disputed Stražište memorial commemorating the Bosniak genocide, the alternative reality of the war re-emerges in full force.

Slavisa Miskovic, mayor of Visegrad

Slavisa Miskovic, mayor of VisegradIBT

He says the “genocide” inscription was removed from the memorial because there was no planning permission granted and because the word itself was dangerously emotive and had no legal basis.

“Serbs are not allowed to make any kind of memorial in Sarajevo, where I lived for some 18 years,” he says.

“Regarding the disputed monument on Stražište there are no arguments or legal basis for the use of such a word [genocide] and it causes destabilisation in the municipality of Visegrad,” Miskovic adds.

Those responsible for the massacres, Milan and Sredoje Lukic, are serving respectively a life sentence in Estonia and 27 years in Norway. But the mayor argues that there have been no convictions at the International Tribunal for the Former Yugoslavia at The Hague for genocide.

Statue of Nobel prize winner Ivo Andrić dominates Andricgrad main square

Nobel prize winner Ivo AndrićIBT

He says the activists demanding recognition of what happened to the Muslim community in those dark days are manipulating that community. His administration, he maintains, is adhering to all legal procedures and prefers to look to the future.

He proudly displays an architectural plan of the controversial Andricgrad theme park, a “town within a town” dedicated to literature that will be inaugurated in June with the aim of providing jobs to Bosniaks and Serbs alike and boost tourism.

This geometric reverie, a sort of half-deserted pastiche of Bosnia’s histories and architectural styles, has been conceived and will be built by two-time Cannes Film Festival winner Emir Kusturica, a Serbian. It is being raised on the site of a former sports centre that was used as a detention camp during the 1992-95 war.

The thing that prevents peace from being stabilised is those who seek to be revisionist towards history.
Paddy Ashdown

Bosnian Serbs are willing to accept that atrocities were committed during the war but use explanations, excuses and diversions. The crimes, they say, were purely the actions of a psychopath such as Milan Lukic.

Recognising that genocide took place in Republika Sprska – that ethnically cleansed enclave hacked off from Bosnia, which is pushing for annexation with Serbia – would mean acknowledging that their state existed as a result of mass murder.

Paddy Ashdown served as international community’s high representative for Bosnia and Herzegovina from 2002 to 2006 and was highly praised for his proactive efforts to bring Bosnian Serb war criminals to justice and strengthen the central state institutions.

Paddy Ashdown

Paddy Ashdown, international community’s high representative for Bosnia and Herzegovina 2002-06IBT

He is highly critical of the secessionist policies of Republika Srpska and maintains that there was a positive verdict on the genocide charges.

In an interview with IBTimes UK, he says: “I know that the thing that prevents peace from being stabilised is those who seek to be revisionist towards history, to pretend that Srebrenica never happened. If you cannot come to terms with your past, you cannot build your future.”

Visegrad may prove to be the exception.

Bosnia the Surreal: Emir Kusturica’s Fantasy Town Erasing the Brutal Past

Posted in Uncategorized with tags , , , , , , , , , on April 26, 2014 by visegrad92

By Gianluca Mezzofiore
April 11, 2014 12:13 GMT

Entering Andricgrad, the controversial and ambitious “town within a town” built by filmmaker Emir Kusturica in celebration of literature and culture, is like something out of a Jorge Luis Borges book.

Every stone in the town, from the 19th century-like Spanish ‘Francisco Goya’ café to the Orthodox Church that rises like a lighthouse on the Drina River, echoes The Bridge on the Drina, the 1945 masterpiece by Nobel prize-winning writer Ivo Andric.

The book, published in 1945, captures the history of the uneasy relationship between the cultures of Christian Europe and the Islamic Ottoman Empire through the bloody story of the 16th century Mehmed Pasa Sokolovic Bridge that was built in Visegrad.

Everything from Thomas Mann Street to the multiplex cinema “Dolly Bell” breathes art and literature. Andricgrad also features an Austro-Hungarian academy of fine arts, a wine-tasting bookshop promoting Kusturica’s own book, an opera house dedicated to Italy filmmaker Luchino Visconti where Kusturica plans to stage the premiere of his opera, based on Andric’s masterpiece.

A joint project between Kusturica (who has 51% of the share) and the government of Republika Srpska, the Serbian enclave carved out after the 1992-95 war, the theme park cost between €10m and €12m.

Fantasy town

The project is controversial to say the least as it has been raised on the site of a sports centre that was used as a detention camp during the war. About 3,000 Bosnian Muslims were killed in Visegrad on or near the 11-arched bridge. Before the war 63% of the town’s 25,000 inhabitants were Bosnian Muslims. Despite the Dayton Peace Agreement, which called for the Bosnian Muslims (known as Bosniaks) to be able to return to their homes, only around 5% have come back.

Bosniak activists such as Bakira Hasecic, who was raped at Visegrad police station by Serb paramilitary leader Milan Lukic and after the war founded the Association of Women Victims of War, say they would never put a foot in Kusturica’s fantasy town.

“I would never enter Andricgrad even if my life depends on it,” she told IBTimes UK. “On 26 May 1992 along [what has become] the access road to Andricgrad the first buses for Bosnian Muslims who were forced into exile [by Serb forces] used to pass. In the sports centre where we took our kids to play there was the biggest concentration camp for Bosniaks.”

Supporters of Andricgrad dismiss those claims as propaganda. They maintain that the construction provided much-needed jobs to Bosniaks and Serbs alike.

The mayor of the town, Slavisa Miskovic, accuses media of political manipulation. “No one in Visegrad is against Andricgrad,” he told us. “Andricgrad is supported by the majority of Visegrad inhabitants.”

But his remarks are dismissed by the president of the Islamic community, Bilal Memisevic. “The mayor lies. The mayor does not support Andricgrad. His ‘grace’ still has not had a coffee in Andricgrad.”

Rationalist architecture and metaphysical art

Erected on a stretch of land between the emerald green Drina and a tributary, Andricgrad strikes the visitor as a pastiche of Bosnia’s different history and stiles, where rationalist architecture and metaphysical art meet literary theme park.

Labelled a “time machine” by the official guide, it resembles more a nightmarish but fascinating caprice of genius. Behind a Serbian castle, Ottoman houses lead to a Byzantine tower; the main street is a clear example of Austro-Hungarian style.

Music pours out of Goya café into the empty Nikola Tesla town square, built in Renaissance style, where Ivo Andric’s black figure stands, unaware of controversies.

Kusturica himself is a controversial figure. He renounced Islam, despite being born Bosniak, and aligned himself with the Serbs. Local papers described project as “the unfortunate encounter between a limited imagination and poor knowledge of the past”.

Memisevic says: “It is politically dangerous because once the construction work has finished, Emir Kusturica is planning to shoot a movie based on Ivo Andric’s novel.

“The novel itself is a masterpiece in literary terms, but ideologically it is very dangerous work, because as every educated Bosnian Muslim knows it was commissioned by the Serbian Academy of Sciences and Arts of that period.”

Memisevic says that in the book and in the film script the role of Bosniaks “will be mocked in relation to what we really are”.

“We are native European and with the Ottoman Empire we have nothing in common besides religion,” he says.

“The director says that Andricgrad is a time machine through Visegrad. Every culture is represented there besides mine. What kind of time machine is that?”

VISEGRAD MASS MURDERERS – DRAGAN SEKARIC

Posted in Uncategorized with tags , , , , , , , on March 22, 2014 by visegrad92

Prosecutor of Regional Team III of the Special Department for War Crimes within the Prosecutor’s Office of BiH issued an indictment against Dragan Šekarić, born on November 4, 1969 in Goražde, residing in Višegrad, a citizen of Bosnia and Herzegovina.

The suspect Dragan Šekarić is charged to have, during a widespread and systematic attack of the Republika Srpska Army  from the month of April 1992 through to 1993 as a member of the Serb Territorial Defense and paramilitary known as “Osvetnik” and an accomplice of Milan Lukić, participated in the attack on the non-Serb civilan population in the wider area of Goražde and Višegrad municipalities and persecuted non-Serb civilian population on political, national, ethnic, cultural and religious through killings, torture, rape, unlawful seizure and destruction of property.

He is charged to have, in the morning of May 22, 1992 or about that date in the settlement of Lozje in Kokino selo in the municipality of Goražde together with several members of the Republika Srpska Army, participated in the attack on the civilian population. They fired at helpless civilians from automatic weapons, firing at their homes and other civilian facilities along with artillery support and while singing chetnik song „Ko to smije srpski bajrak da razvije“ /who dares to raise the Serb flag/, while the civilians were trying to escape towards the river Drina. Four civilians were killed on that occasion and six were seriously wounded including a twelve-year-old boy who died from the wounds.

The accused has on June 3, 1992 along with four other members of the RS Army, arrived in a vehicle in front of a Bosniak house in the settlement of Kosovo polje located in the municipality of Višegrad. They threatened the people inside, and forced them to come out into the yard. Four underage children were lined up along the wall of the house, with insults, all time telling them that they should all be killed cursing their Balija mother. The accused singled out one woman and ordered her to return to the house and make them coffee and then went into the kitchen and raped the woman. The neighboring house was burned and a motor vehicle taken away from the people in it. The old woman who lived in that house approached the accused asking for help. The suspect Dragan Šekarić told the woman “Old woman now you have the money,” and forcibly shoved her into the burning house telling her: “Now you  go and extinguish the fire” and then shot her with a pistol and killed her.

On May 20, 1992 or about that date the accused has, together with Milan Lukić, Vlado Vojinović and an unknown member of the paramilitary unit “Osvetnik”, intercepted one Bosniak civilian who tried to leave Višegrad with his family in Dušće village. They ordered the civilians to return to their home in Dušće, demanding that they hand over all the money and valuables they had on them and ordered them to load onto their truck all the goods out of the garage. When the civilians finished loading the goods, one of the soldiers ordered the civilian and his son to enter the vehicle, and then took them away to an unknown destination. The two have since disappeared without a trace. On the same day in the evening they returned to this family house and a shot and killed a woman,

As further alleged in the indictment, the accused has, together with Milan Lukić – who was sentenced to life imprisonment by a final verdict, on an unspecified date in late 1992 and the beginning of the 1993 in the “Uzamnica” camp in Višegrad, where Bosniak civilians were unlawfully incarcerated, beaten the prisoners hitting them all over their bodies thus causing physical injuries. They struck prisoners with knotted sticks, iron rods, electric batons and rifle butts. On that occasion, one of the prisoners suffered severe head injuries, one succumbed to injuries, and two prisoners were taken away and have since disappeared without trace.

The accused is charged with committing the criminal offense of Crimes against Humanity under Article 172, Paragraph 1, Subparagraph h) in conjunction with Subparagraphs a), f) and g) of the Criminal Code of Bosnia and Herzegovina, in conjunction with Article 180, Paragraph 1 the same Code.Image

Erasing memory: Visegrad 2013

Posted in Uncategorized with tags , , , , , , , , , , , , on January 27, 2014 by visegrad92

erasing-memory-vgd

 

Image: 

A satirical poster by a unknown artist showing the erasing of the word “Genocide” from the Visegrad memorial in the Straziste victim cemetery.

The slogan reads “Keep our town clean” and also contains the logo of the Visegrad Tourism Board.

Note: This poster was found on Facebook and VGM does not own the copyright to this photo.

Call to Action: Protest to La Fenice for involvement with Emir Kusturica

Posted in Uncategorized with tags , , , , , , , , , , , , , on March 28, 2013 by visegrad92

na-drini-opera

Image: Satiric poster by an unknown author of the planned opera to be produce in a joint cooperation between La Fenice theatre and Emir Kusturica, under the support of Milorad Dodik and Republika Srpska.

Association Cuprija, the “Stop genocide denial” movement and several other non-governmental organizations have started a campaign against the decision of La Fenice theatre to jointly produce an opera entitled “The Bridge over the River Drina” based on the novel by Ivo Andric.

The email address of La Fenice director is: sovrintendenza@teatrolafenice.org

The protest letter is below:

————————————————-

Dear Mr. Cristiano Chiarot,

I am writing to you to express my deep regret that an institution like La Fenice has decided to work with Emir Kusturica and Milorad Dodik on staging „The Bridge over the River Drina“ opera in “Andricgrad”. Taking into consideration Dodik’s and Kusturica’s genocide denial and the blatant discrimination on non-Serbs in Republika Srpska, and the fact that “Andricgrad” has been built on the land forcefully taken from a Bosniak family from Visegrad, I strongly object to La Fenice staging this work in in “Andricgrad”, as it has been announced by Kusturica.

It is highly problematic that with the announced joint project with Kusturica, La Fenice would be directly supporting continued repression of Bosniaks in Visegrad.

I remind you that Visegrad used to be a town with 65% Bosniak population. After the campaign of ethnic cleansing by the Bosnian Serb and Serbian forces, this population has been reduced to 400 Bosniaks, mostly elderly.

The vast majority of them were expelled from Visegrad by Yugoslav Peoples’ Army and Republika Srpska Army, 3,000 were murdered, many Bosniak women and girls raped, women and children burnt alive in houses. These crimes have been well documented by the International War Crimes Tribunal in the Hague.

Currently 600 Bosniaks are registered as missing in Visegrad municipality, buried in mass graves known to the municipal authorities who are refusing to reveal their whereabouts.

Not only is there no attempt by Visegrad and Republika Srpska authorities to acknowledge the crimes and compensate the victims’ families, but they have recently issued an order to remove a monument built for Visegrad’s genocide victims at Straziste cemetery. As you can see, while La Fenice is planning operas with the Dodik’s blessing, Bosniaks in Visegrad are denied the basic right to commemorate their victims.

Furthermore, “Andricgrad” has been built on the land which belongs to Hadžić family from Visegrad, who had it confiscated illegally from them by the municipality as part of the ethnic cleansing of non-Serbs. Hadžić family members, who today live in the UK, Switzerland, Austrija, Australija, New Zealand and Sarajevo, will claim their property back in an international lawsuit and initiate legal action against Republika Srpska authorities and Kusturica. It is difficult to believe that such a renown institution of culture like La Fenice would allow itself to be an accomplice in an illegal enterprise that “Andricgrad” clearly is.

While I have no objection to the promotion of culture La Fenice champions, I strongly disagree Visegrad is a place where such events should take place until it deals with the legacy of extermination of its non-Serb population. For this reason, I ask you to refrain from from this morally objectionable project and in doing so demonstrate the due respects to genocide victims at Straziste cemetery.

Yours sincerely,

Prof. Tosovic must apologize!

Posted in Uncategorized with tags , , , , on October 8, 2012 by visegrad92

 

As suspected the symposium on Ivo Andric organized by University of Graz professor Branko Tosovic along with the Visegrad municipality was a joint project to give Andricgrad an “intellectual” dimension.

Write to University of Graz Rector Prof. Dr. Christa Neuper :

rectorin(at)uni-graz.at

and tell her what you think about Prof. Tosovic’s decision to ignore Visegrad victims and to recommend Vilina Vlas for their guests.

Below is a sample letter you can sent to the above email address:

Dear Prof. Dr. Christa Neuper,

It has come to my attention that the recent symposium on Ivo Andric held in Visegrad was organized by Prof. Branko Tosovic, a professor at your University.

Prof. Tosovic ignored numerous emails sent by Visegrad survivors, Bosnian and foreign intellectuals pleading not to use Vilina Vlas motel (war-time rape motel for at least 200 Bosniak women and girls). under any circumstances.  He repeatedly ignored our emails.

On the other hand, I was pleased to hear that the Director of the Institute for Slavic studies, visited Straziste cemetery and paid respects to Visegrad victims. Flowers in the name of the Institute were placed on the central monument in Straziste. 

This issue was picked up by Bosnian and Serb media and I must say that Prof. Tosovic’s role has given a negative image of your University to the Bosnian public.

I think that an apology and visit to Straziste cemetery by a delegation of University of Graz, including Prof. Tosovic would be appropriate.

Yours sincerely,

——————–

————————————————————————————————-

Satiric poster about Andric symposium

Posted in Uncategorized with tags , , , , , , , , , , , , on October 2, 2012 by visegrad92

Days after not receving any reply from the Institute for Slavic Studies, University of Graz,  a satiric poster surfaced online.