Archive for ivo andric

Killing Bosnia’s Ghosts: Fighting to Remember the Balkan War Genocide

Posted in Uncategorized with tags , , , , , , , , on April 26, 2014 by visegrad92

On  the day that Bosnian Serb authorities finally went to remove the word “genocide” from the memorial plaque commemorating the mass killing of Muslims in Visegrad in 1992, Bakira Hasecic woke up early, along with a few other women.

She had stayed overnight in the house she still owns in the eastern Bosnian town, although she now lives in Sarajevo. The morning was brisk but not particularly cold, a rarity in those January days.

Their intention was to stop what they saw as desecration of the memorial. They were too late.

When she arrived at the Straziste Muslim cemetery, 150 police in riot gear were lined up along the road, some shaking off the crisp mountain air, others laughing at her.

Visibly distressed and with her legs shaking, Bakira hurried to cover the gravestones bearing the names of Serb war criminals Milan and Sredoje Lukic and T-shirts printed with the names of those who died.

A local woman discreetly wrote “genocide” back on the memorial in lipstick. The inscription, once chiselled into the stone, had been removed by a workman with an angle grinder.

The Stražište memorial

The Stražište memorial in VisegradIBT

“They are bothered by the word ‘genocide’. They cannot face the truth,” Bakira, a survivor of the Balkan war who was raped multiple times by Serb paramilitaries led by Milan Lukic, told IBTimes UK.

After 20 years, a bitter struggle over collective memory still haunts this sleepy town in Republica Srpska, the ethnically cleansed enclave carved out in the 1992-95 conflict.

What Bosnian Serbs did to Muslims in 1992 they are still doing today, minimising and concealing those crimes.
Bilal Memisevic

In August 1992, while the capital Sarajevo was under siege, Visegrad, strategically located on the majestic River Drina between Bosnia and Serbia, was taken over by Serb forces and purged of its majority Muslim population in a campaign of terror carried out by Lukic and his cousin Sredoje.

Muslim men were rounded up and murdered. Hundreds of women were detained and mass-raped at the spa, the infamous Vilina Vlas. Women, children and elderly people were locked in houses and burnt to death.

A widespread culture of denial in Visegrad is now being encouraged by Serb nationalists who want separatism from Bosnia.

“What Bosnian Serbs did to Muslims in 1992 they are still doing today, minimising and concealing those crimes,” says Bilal Memisevic, president of the local Muslim community.

Barimo

Barimo is a hamlet nestled in the folds of the hills, at 15-minute car ride from Visegrad, along the emerald waters of the Drina.

Only 78 Bosnian Muslims lived there before the war, in modest houses overlooking green meadows and plum orchards on the riverbanks. In the early hours of August 1992, Serb forces entered the village for a killing spree. Twenty-six people – mostly women and children – were massacred.

Barimo memorial

Memorial in Barimo for those who were killed in 1992IBT

Resident Suljo Fejzic was sheltering with his family in a village above Barimo. He sneaked into the village that morning, finding his way among the bushes and the mountain pines.

“When we entered the village all the houses were burning. Everything was burning,” he recounts.

“At the bank of the river they executed 12 people and put the bodies in a pile, at the place where the stream joins the river Drina. Later when we got back to the village, we came across people who had been killed trying to escape, we found people who had been shot in the head while lying on the ground”.

The river

The oldest victim was Hanka Halilovich, who was born in 1900, and the youngest was 12-year-old Fadila Bajric. As late as 2004, Fejzic and other villagers kept finding bodies in half-burnt houses, the victims executed with their faces in the dirt.

“But the largest mass grave is the river,” he tells IBTimes UK, pointing to where a silent stream meets the Drina.

Bodies of lifeless Muslims were floating on the Drina like ants. My house was near the bank of Drina, which was filled with blood.
Bakira Hasecic

The river and the grand 16th-century bridge built on 11 arches that decorates Visegrad were made famous by the 1945 masterpiece by Nobel prize-winning writer Ivo Andric in The Bridge on the Drina. The novel captures the construction of the Mehmed Paša Sokolović Bridge and the uneasy relationship between the cultures of Christian Europe and the Islamic Ottoman Empire, a relationship that still exists albeit in a different form.

A Unesco World Heritage Site, the bridge became during the war the nightmarish bloodsoaked centre of the town, a place where Bosnian Muslim men, women and children were slaughtered by Bosnian Serb paramilitary forces and thrown into the river. Lukic troops used to grab any piece of glass they could find and slit the throat of innocent civilians. One victim was found with a screwdriver in their neck.

River Drina and the Bridge

The Bridge on the Drina river in VisegradIBT

“Bodies of lifeless Muslims were floating on the Drina like ants. My house was near the bank of Drina, which was filled with blood,” says Bakira Hasecic.

This immense, underwater graveyard is the perfect metaphor for Visegrad, where the past is “unforgiven, unforgotten, unresolved” as correspondent Alec Russell put it.

Before the war, 63% of the town’s 25,000 people were Bosnian Muslims. Despite the Dayton peace agreement calling for the Bosnian Muslims to be able to return to their homes, only around 5% have come back.

“Only a few have returned to the town itself. Most have gone back to the surrounding villages where they can be with other returnees, earning a living from livestock and agriculture,” says Jasna Causevic, of the German group Society for Threatened Peoples.

Sometimes, though, the past emerges in full force from the swamps of history.

When in 2010 the water levels of the reservoir behind the Bajna Bast hydroeletric dam – called Lake Perucac – further downstream were lowered the remains of more than 160 civilian victims from Visegrad were found in a 50km-stretch of lake bed.

forensic expert from the International Commission On Missing Persons uncovers human remains near the eastern Bosnian town of Visegrad

Forensic expert from the International Commission On Missing Persons uncovers human remains near the eastern Bosnian town of VisegradAFP/Getty Images

At least 3,000 Muslims were massacred in the eastern Bosnian town. But to many Serbs the 1992 attack was a preventive strike whose aim was to avoid a repetition of past slavery under the Ottomans.

Muslims used to prosper under the Ottoman Empire but the Serbs were serfs, uneducated and exploited for manual labour.

President Slobodan Milosevic’s idea of a “Greater Serbia” appealed to many of his local countrymen and laid the foundation for the massacre that followed.

At the start of the 1992 war, short-term actions of resistance by Bosniaks provided the perfect excuse for an alternative Serbian narrative of the war. A small group of Bosniaks took control of the Bajna Basta dam on Lake Perucac and threatened to open it, threatening massive flooding downstream and sabotaging the electricity supply to parts of Serbia.

Adem Omeragic house

The battle for memory and the power to write history are entangled in the bare bricks of another key building of the town. On Pionirska Street, the Serb administration wants to demolish Adem Omeragic’s house, where one of the worst atrocities of the war was committed by Milan Lukic.

Such was its ferocity that it was singled out by the International Criminal Tribunal for the former Yugoslavia.

At least 59 Muslim women, children and elderly people were locked in the house and burned alive after they had been rounded up, raped, sexually abused and robbed. Some witnesses put the death toll higher.

“Some of them who survived sexual abuse were killed in one of the rooms in the basement. There were the remains of more than 70 of them, 49 women alone and about 20 children after the burning and devastation,” says Bakira Hasecic.

With her Association of Women Victims of War, Hasecic rebuilt the house in two weeks and says she has been given permission by the owner to turn it into a memorial.

Adem Omeragic house in Pionirska Street

Adem Omeragic house in Pionirska StreetIBT

“We reconstructed the house from the same material, exactly the way it used to be before, identical to how it was before it was burned with people inside,” she says.

“However, I encountered resistance in the municipality of Visegrad. What I had to suffer on those days when we started rebuilding the house in some moments was more difficult than 1992. Every day, for about 12 days when we began to work behind the house, some 15 to 20 police officers would come in, obstruct us, and put pressure on us.”

Serbs are not allowed to make any kind of memorial in Sarajevo, where I lived for some 18 years
Slavisa Miskovic

The municipality claims that according to the town’s planning map, a road was due to be built through the place where the house stood. The mayor of Visegrad, Slavisa Miskovic, confirms that  “manipulacija”, political manipulation, is playing a part.

“No one denies that a crime happened there, but what is happening now is to do with the building of the road. I didn’t come up with this proposal, these proposals were inherited from the previous administration,” the mayor says.

Bakira Hasecic

Bakira HasecicIBT

In the gentle wrinkles of her face, Bakira still shows the psychological scars of sexual violence and abuse.In 1992, she was forced to watch as a group of Serbs that included her next-door neighbour raped her 18-year-old daughter.

The girl’s head was cracked with a rifle butt but she managed to survive. Her sister, however, was raped and killed by Lukic troops in the infamous rape camps of Vilina Vlas spa. Bakira herself was raped countless times in her home and at the local police station.

“I was a happy woman, I worked in the municipality, 90% of my friends were Serbs and they killed everything that was beautiful in me,” she says.

Erasing the past

The Serb Democratic Party (SDS), which has run Visegrad municipality since October 2012, denies that there has been any “disturbance” against Muslim returnees in the town and seizes on legal jargon to erase memories of the 1992 genocide.

Slavisa Miskovic, the mayor, is an outspoken and animated man who at first sight bears no resemblance to the perpetrators of the war. He talks of respect for all victims of war, regardless of nationality and ethnic origin, and cautiously admits that not enough has been done for Bosniak returnees in Bosnia and Herzegovina.

But when he turns to the disputed Stražište memorial commemorating the Bosniak genocide, the alternative reality of the war re-emerges in full force.

Slavisa Miskovic, mayor of Visegrad

Slavisa Miskovic, mayor of VisegradIBT

He says the “genocide” inscription was removed from the memorial because there was no planning permission granted and because the word itself was dangerously emotive and had no legal basis.

“Serbs are not allowed to make any kind of memorial in Sarajevo, where I lived for some 18 years,” he says.

“Regarding the disputed monument on Stražište there are no arguments or legal basis for the use of such a word [genocide] and it causes destabilisation in the municipality of Visegrad,” Miskovic adds.

Those responsible for the massacres, Milan and Sredoje Lukic, are serving respectively a life sentence in Estonia and 27 years in Norway. But the mayor argues that there have been no convictions at the International Tribunal for the Former Yugoslavia at The Hague for genocide.

Statue of Nobel prize winner Ivo Andrić dominates Andricgrad main square

Nobel prize winner Ivo AndrićIBT

He says the activists demanding recognition of what happened to the Muslim community in those dark days are manipulating that community. His administration, he maintains, is adhering to all legal procedures and prefers to look to the future.

He proudly displays an architectural plan of the controversial Andricgrad theme park, a “town within a town” dedicated to literature that will be inaugurated in June with the aim of providing jobs to Bosniaks and Serbs alike and boost tourism.

This geometric reverie, a sort of half-deserted pastiche of Bosnia’s histories and architectural styles, has been conceived and will be built by two-time Cannes Film Festival winner Emir Kusturica, a Serbian. It is being raised on the site of a former sports centre that was used as a detention camp during the 1992-95 war.

The thing that prevents peace from being stabilised is those who seek to be revisionist towards history.
Paddy Ashdown

Bosnian Serbs are willing to accept that atrocities were committed during the war but use explanations, excuses and diversions. The crimes, they say, were purely the actions of a psychopath such as Milan Lukic.

Recognising that genocide took place in Republika Sprska – that ethnically cleansed enclave hacked off from Bosnia, which is pushing for annexation with Serbia – would mean acknowledging that their state existed as a result of mass murder.

Paddy Ashdown served as international community’s high representative for Bosnia and Herzegovina from 2002 to 2006 and was highly praised for his proactive efforts to bring Bosnian Serb war criminals to justice and strengthen the central state institutions.

Paddy Ashdown

Paddy Ashdown, international community’s high representative for Bosnia and Herzegovina 2002-06IBT

He is highly critical of the secessionist policies of Republika Srpska and maintains that there was a positive verdict on the genocide charges.

In an interview with IBTimes UK, he says: “I know that the thing that prevents peace from being stabilised is those who seek to be revisionist towards history, to pretend that Srebrenica never happened. If you cannot come to terms with your past, you cannot build your future.”

Visegrad may prove to be the exception.

Bosnia the Surreal: Emir Kusturica’s Fantasy Town Erasing the Brutal Past

Posted in Uncategorized with tags , , , , , , , , , on April 26, 2014 by visegrad92

By Gianluca Mezzofiore
April 11, 2014 12:13 GMT

Entering Andricgrad, the controversial and ambitious “town within a town” built by filmmaker Emir Kusturica in celebration of literature and culture, is like something out of a Jorge Luis Borges book.

Every stone in the town, from the 19th century-like Spanish ‘Francisco Goya’ café to the Orthodox Church that rises like a lighthouse on the Drina River, echoes The Bridge on the Drina, the 1945 masterpiece by Nobel prize-winning writer Ivo Andric.

The book, published in 1945, captures the history of the uneasy relationship between the cultures of Christian Europe and the Islamic Ottoman Empire through the bloody story of the 16th century Mehmed Pasa Sokolovic Bridge that was built in Visegrad.

Everything from Thomas Mann Street to the multiplex cinema “Dolly Bell” breathes art and literature. Andricgrad also features an Austro-Hungarian academy of fine arts, a wine-tasting bookshop promoting Kusturica’s own book, an opera house dedicated to Italy filmmaker Luchino Visconti where Kusturica plans to stage the premiere of his opera, based on Andric’s masterpiece.

A joint project between Kusturica (who has 51% of the share) and the government of Republika Srpska, the Serbian enclave carved out after the 1992-95 war, the theme park cost between €10m and €12m.

Fantasy town

The project is controversial to say the least as it has been raised on the site of a sports centre that was used as a detention camp during the war. About 3,000 Bosnian Muslims were killed in Visegrad on or near the 11-arched bridge. Before the war 63% of the town’s 25,000 inhabitants were Bosnian Muslims. Despite the Dayton Peace Agreement, which called for the Bosnian Muslims (known as Bosniaks) to be able to return to their homes, only around 5% have come back.

Bosniak activists such as Bakira Hasecic, who was raped at Visegrad police station by Serb paramilitary leader Milan Lukic and after the war founded the Association of Women Victims of War, say they would never put a foot in Kusturica’s fantasy town.

“I would never enter Andricgrad even if my life depends on it,” she told IBTimes UK. “On 26 May 1992 along [what has become] the access road to Andricgrad the first buses for Bosnian Muslims who were forced into exile [by Serb forces] used to pass. In the sports centre where we took our kids to play there was the biggest concentration camp for Bosniaks.”

Supporters of Andricgrad dismiss those claims as propaganda. They maintain that the construction provided much-needed jobs to Bosniaks and Serbs alike.

The mayor of the town, Slavisa Miskovic, accuses media of political manipulation. “No one in Visegrad is against Andricgrad,” he told us. “Andricgrad is supported by the majority of Visegrad inhabitants.”

But his remarks are dismissed by the president of the Islamic community, Bilal Memisevic. “The mayor lies. The mayor does not support Andricgrad. His ‘grace’ still has not had a coffee in Andricgrad.”

Rationalist architecture and metaphysical art

Erected on a stretch of land between the emerald green Drina and a tributary, Andricgrad strikes the visitor as a pastiche of Bosnia’s different history and stiles, where rationalist architecture and metaphysical art meet literary theme park.

Labelled a “time machine” by the official guide, it resembles more a nightmarish but fascinating caprice of genius. Behind a Serbian castle, Ottoman houses lead to a Byzantine tower; the main street is a clear example of Austro-Hungarian style.

Music pours out of Goya café into the empty Nikola Tesla town square, built in Renaissance style, where Ivo Andric’s black figure stands, unaware of controversies.

Kusturica himself is a controversial figure. He renounced Islam, despite being born Bosniak, and aligned himself with the Serbs. Local papers described project as “the unfortunate encounter between a limited imagination and poor knowledge of the past”.

Memisevic says: “It is politically dangerous because once the construction work has finished, Emir Kusturica is planning to shoot a movie based on Ivo Andric’s novel.

“The novel itself is a masterpiece in literary terms, but ideologically it is very dangerous work, because as every educated Bosnian Muslim knows it was commissioned by the Serbian Academy of Sciences and Arts of that period.”

Memisevic says that in the book and in the film script the role of Bosniaks “will be mocked in relation to what we really are”.

“We are native European and with the Ottoman Empire we have nothing in common besides religion,” he says.

“The director says that Andricgrad is a time machine through Visegrad. Every culture is represented there besides mine. What kind of time machine is that?”

VISEGRAD MASS MURDERERS – DRAGAN SEKARIC

Posted in Uncategorized with tags , , , , , , , on March 22, 2014 by visegrad92

Prosecutor of Regional Team III of the Special Department for War Crimes within the Prosecutor’s Office of BiH issued an indictment against Dragan Šekarić, born on November 4, 1969 in Goražde, residing in Višegrad, a citizen of Bosnia and Herzegovina.

The suspect Dragan Šekarić is charged to have, during a widespread and systematic attack of the Republika Srpska Army  from the month of April 1992 through to 1993 as a member of the Serb Territorial Defense and paramilitary known as “Osvetnik” and an accomplice of Milan Lukić, participated in the attack on the non-Serb civilan population in the wider area of Goražde and Višegrad municipalities and persecuted non-Serb civilian population on political, national, ethnic, cultural and religious through killings, torture, rape, unlawful seizure and destruction of property.

He is charged to have, in the morning of May 22, 1992 or about that date in the settlement of Lozje in Kokino selo in the municipality of Goražde together with several members of the Republika Srpska Army, participated in the attack on the civilian population. They fired at helpless civilians from automatic weapons, firing at their homes and other civilian facilities along with artillery support and while singing chetnik song „Ko to smije srpski bajrak da razvije“ /who dares to raise the Serb flag/, while the civilians were trying to escape towards the river Drina. Four civilians were killed on that occasion and six were seriously wounded including a twelve-year-old boy who died from the wounds.

The accused has on June 3, 1992 along with four other members of the RS Army, arrived in a vehicle in front of a Bosniak house in the settlement of Kosovo polje located in the municipality of Višegrad. They threatened the people inside, and forced them to come out into the yard. Four underage children were lined up along the wall of the house, with insults, all time telling them that they should all be killed cursing their Balija mother. The accused singled out one woman and ordered her to return to the house and make them coffee and then went into the kitchen and raped the woman. The neighboring house was burned and a motor vehicle taken away from the people in it. The old woman who lived in that house approached the accused asking for help. The suspect Dragan Šekarić told the woman “Old woman now you have the money,” and forcibly shoved her into the burning house telling her: “Now you  go and extinguish the fire” and then shot her with a pistol and killed her.

On May 20, 1992 or about that date the accused has, together with Milan Lukić, Vlado Vojinović and an unknown member of the paramilitary unit “Osvetnik”, intercepted one Bosniak civilian who tried to leave Višegrad with his family in Dušće village. They ordered the civilians to return to their home in Dušće, demanding that they hand over all the money and valuables they had on them and ordered them to load onto their truck all the goods out of the garage. When the civilians finished loading the goods, one of the soldiers ordered the civilian and his son to enter the vehicle, and then took them away to an unknown destination. The two have since disappeared without a trace. On the same day in the evening they returned to this family house and a shot and killed a woman,

As further alleged in the indictment, the accused has, together with Milan Lukić – who was sentenced to life imprisonment by a final verdict, on an unspecified date in late 1992 and the beginning of the 1993 in the “Uzamnica” camp in Višegrad, where Bosniak civilians were unlawfully incarcerated, beaten the prisoners hitting them all over their bodies thus causing physical injuries. They struck prisoners with knotted sticks, iron rods, electric batons and rifle butts. On that occasion, one of the prisoners suffered severe head injuries, one succumbed to injuries, and two prisoners were taken away and have since disappeared without trace.

The accused is charged with committing the criminal offense of Crimes against Humanity under Article 172, Paragraph 1, Subparagraph h) in conjunction with Subparagraphs a), f) and g) of the Criminal Code of Bosnia and Herzegovina, in conjunction with Article 180, Paragraph 1 the same Code.Image

Erasing memory: Visegrad 2013

Posted in Uncategorized with tags , , , , , , , , , , , , on January 27, 2014 by visegrad92

erasing-memory-vgd

 

Image: 

A satirical poster by a unknown artist showing the erasing of the word “Genocide” from the Visegrad memorial in the Straziste victim cemetery.

The slogan reads “Keep our town clean” and also contains the logo of the Visegrad Tourism Board.

Note: This poster was found on Facebook and VGM does not own the copyright to this photo.

Call to Action: Protest to La Fenice for involvement with Emir Kusturica

Posted in Uncategorized with tags , , , , , , , , , , , , , on March 28, 2013 by visegrad92

na-drini-opera

Image: Satiric poster by an unknown author of the planned opera to be produce in a joint cooperation between La Fenice theatre and Emir Kusturica, under the support of Milorad Dodik and Republika Srpska.

Association Cuprija, the “Stop genocide denial” movement and several other non-governmental organizations have started a campaign against the decision of La Fenice theatre to jointly produce an opera entitled “The Bridge over the River Drina” based on the novel by Ivo Andric.

The email address of La Fenice director is: sovrintendenza@teatrolafenice.org

The protest letter is below:

————————————————-

Dear Mr. Cristiano Chiarot,

I am writing to you to express my deep regret that an institution like La Fenice has decided to work with Emir Kusturica and Milorad Dodik on staging „The Bridge over the River Drina“ opera in “Andricgrad”. Taking into consideration Dodik’s and Kusturica’s genocide denial and the blatant discrimination on non-Serbs in Republika Srpska, and the fact that “Andricgrad” has been built on the land forcefully taken from a Bosniak family from Visegrad, I strongly object to La Fenice staging this work in in “Andricgrad”, as it has been announced by Kusturica.

It is highly problematic that with the announced joint project with Kusturica, La Fenice would be directly supporting continued repression of Bosniaks in Visegrad.

I remind you that Visegrad used to be a town with 65% Bosniak population. After the campaign of ethnic cleansing by the Bosnian Serb and Serbian forces, this population has been reduced to 400 Bosniaks, mostly elderly.

The vast majority of them were expelled from Visegrad by Yugoslav Peoples’ Army and Republika Srpska Army, 3,000 were murdered, many Bosniak women and girls raped, women and children burnt alive in houses. These crimes have been well documented by the International War Crimes Tribunal in the Hague.

Currently 600 Bosniaks are registered as missing in Visegrad municipality, buried in mass graves known to the municipal authorities who are refusing to reveal their whereabouts.

Not only is there no attempt by Visegrad and Republika Srpska authorities to acknowledge the crimes and compensate the victims’ families, but they have recently issued an order to remove a monument built for Visegrad’s genocide victims at Straziste cemetery. As you can see, while La Fenice is planning operas with the Dodik’s blessing, Bosniaks in Visegrad are denied the basic right to commemorate their victims.

Furthermore, “Andricgrad” has been built on the land which belongs to Hadžić family from Visegrad, who had it confiscated illegally from them by the municipality as part of the ethnic cleansing of non-Serbs. Hadžić family members, who today live in the UK, Switzerland, Austrija, Australija, New Zealand and Sarajevo, will claim their property back in an international lawsuit and initiate legal action against Republika Srpska authorities and Kusturica. It is difficult to believe that such a renown institution of culture like La Fenice would allow itself to be an accomplice in an illegal enterprise that “Andricgrad” clearly is.

While I have no objection to the promotion of culture La Fenice champions, I strongly disagree Visegrad is a place where such events should take place until it deals with the legacy of extermination of its non-Serb population. For this reason, I ask you to refrain from from this morally objectionable project and in doing so demonstrate the due respects to genocide victims at Straziste cemetery.

Yours sincerely,

Prof. Tosovic must apologize!

Posted in Uncategorized with tags , , , , on October 8, 2012 by visegrad92

 

As suspected the symposium on Ivo Andric organized by University of Graz professor Branko Tosovic along with the Visegrad municipality was a joint project to give Andricgrad an “intellectual” dimension.

Write to University of Graz Rector Prof. Dr. Christa Neuper :

rectorin(at)uni-graz.at

and tell her what you think about Prof. Tosovic’s decision to ignore Visegrad victims and to recommend Vilina Vlas for their guests.

Below is a sample letter you can sent to the above email address:

Dear Prof. Dr. Christa Neuper,

It has come to my attention that the recent symposium on Ivo Andric held in Visegrad was organized by Prof. Branko Tosovic, a professor at your University.

Prof. Tosovic ignored numerous emails sent by Visegrad survivors, Bosnian and foreign intellectuals pleading not to use Vilina Vlas motel (war-time rape motel for at least 200 Bosniak women and girls). under any circumstances.  He repeatedly ignored our emails.

On the other hand, I was pleased to hear that the Director of the Institute for Slavic studies, visited Straziste cemetery and paid respects to Visegrad victims. Flowers in the name of the Institute were placed on the central monument in Straziste. 

This issue was picked up by Bosnian and Serb media and I must say that Prof. Tosovic’s role has given a negative image of your University to the Bosnian public.

I think that an apology and visit to Straziste cemetery by a delegation of University of Graz, including Prof. Tosovic would be appropriate.

Yours sincerely,

——————–

————————————————————————————————-

Satiric poster about Andric symposium

Posted in Uncategorized with tags , , , , , , , , , , , , on October 2, 2012 by visegrad92

Days after not receving any reply from the Institute for Slavic Studies, University of Graz,  a satiric poster surfaced online.

University of Graz, pay respect to Visegrad genocide victims!

Posted in Uncategorized with tags , , , , on September 26, 2012 by visegrad92

University of Graz, pay respect to Visegrad genocide victims!

From 4-6 October 2012, a symposium on Ivo Andric will be held in Visegrad. It is co-organized by the Institute for Slavic studies, University of Graz and by the Municipality of Visegrad.  The symposium will deal with all segments of Ivo Andric’s work but there is no mention of the use of Ivo Andric in the justification o genocide against Bosniaks.

Full program of the symposium can be found at the Institute’s website.

Write to University of Graz, Institute for Slavic Studies and express your protest:


Institut für SlawistikKarl-Franzens-Universität Graz

A–8010 Graz, Merangasse 70/I

Tel.:             +43 (0)316 380-2520      

Fax: +43 (0)316 380-9773

e-mail: sekretariat.slawistik@uni-graz.at

Leitung:
Univ.-Prof. Dr. Peter Grzybek
e-mail: institutsleitung.slawistik@uni-graz.at

We call upon University of Graz to pay respects to our victims by visiting Straziste cemetery on 4 October before the start of the symposium.

Related links:

1.Of Bogumils and race, Prof. Micheal Sells

2.The saddest eyes I have ever seens, Prof. Micheal Sells

3.Visegrad and Ivo Andric, In memory of Jasmina Ahmetspahic, Prof.Micheal Sells

4.Mehmed-pasa Sokolovic Bridge, A Monument to Genocide

Univerzitet u Grazu, odajte pocast visegradskim zrtvama genocida!

Od 4-6 Oktobra 2012. Godine, odrzat ce se simpozijum o Ivi Andricu u Visegradu. Organizatori su Institut za slavistiku, Univerziteta u Gracu i Opstina Visegrad. Simpozijum ce se baviti sa mnogo segmenata djela Ive Andrica ali ni u jednom slucaju se nece baviti upotrebom njegove literature za opravdavanje genocida nad Bosnjacima.

Pisite Institutu za slavistiku i izrazite svoje nezadovoljstvo:


Institut für Slawistik

Karl-Franzens-Universität Graz

A–8010 Graz, Merangasse 70/I

Tel.:             +43 (0)316 380-2520      

Fax: +43 (0)316 380-9773

e-mail: sekretariat.slawistik@uni-graz.at

Leitung:
Univ.-Prof. Dr. Peter Grzybek
e-mail: institutsleitung.slawistik@uni-graz.at

Pozivamo Univerzitet u Gracu da odaju pocast nasim zrtvama 4 oktobra prije pocetka simpozijuma na mezarju Straziste.

Mehmed-pasa Sokolovic Bridge:A Monument to Genocide

Posted in Uncategorized with tags , , , , , , , , , , , , on December 3, 2009 by visegrad92

Image: Mehmed-pasa Sokolovic Bridge built by the Ottomans. Hundreds of Bosniaks(Bosnian Muslims) were murdered and thrown off the bridge into the Drina River by Bosnian Serbs. Picture Copyright © Velija Hasanbegovic

Witness X(Zeljko Lelek case, Court of Bosnia&Herzegovina):

“Zeljko Lelek, Mile Joksimovic and Vlatko Pecikoza arrived almost at the same time at the bridge. Lelek was in a taxi driven by Bosko Djuric. They took out two women out of the car, both were in their early 20s, one was carrying a five to six month old baby. Vlatko grabbed the baby from her and said ‘Let the baby have some fresh air’. He took it and threw it up in the air. Lelek was holding a knife and caught the little body on it,” the witness said, adding that Joksimovic then forced the mother to lick the child’s blood “in order to stop the bleeding”.

Witness KB(Zeljko Lelek case, Court of Bosnia&Herzegovina):

“I saw them bringing two older people whose hands were tied. One was wearing a French beret on his head. They lined them up by the water and forced them to go into the water. When the water was up to their waist, the men started shooting. People fell down and I was sick from watching it,”

Witness Hasan Ajanovic(Vasiljevic, Lukic case):

“Lukic told us to wade out into the water,” he said, interviewed by telephone from a Western European country that he insisted not be identified. “I did not hear the first shot, I suspect because Lukic’s gun had a silencer. But I heard the screams and then the other shots. Meho’s body fell on top of me. I lay with my face in the sand until night. I swam across the river and escaped. The water stank of death.” (Source)

Image: From Joe Sacco’s “Gorazde: A Safe Area”

Witness Mesud Cocalic:

“The bodies were often slashed with knife marks and were black and blue,” he said. “The young women were wrapped in blankets that were tied at each end. These female corpses were always naked. We buried several children, including two boys 18 months old. We found one man crucified to the back of a door. Once we picked up a garbage bag filled with 12 human heads.”(Source)

Witness Hasena M. :

“watched them put my mother and sister astride the parapet, like on a horse. I heard both women screaming, until they were shot in the stomach. They fell in the water – the men laughing as they watched. The water went red.” (Source)

Image: From Joe Sacco’s “Gorazde: A Safe Area”

Witness Hasnija Pjeva:

“If the Drina River could only speak, it could say how many dead were taken away,”(Source)

The abysses behind the façades of eastern Bosnia

Posted in Uncategorized with tags , , , , , , , , , on September 26, 2009 by visegrad92

Author: Martin Woker, Visegrad
Uploaded: Monday, 21 July, 2008

A moving report translated from ‘Neue Zürcher Zeitung’ (Zurich) outlines the problems faced by those who would like to market the Bridge over the Drina in the small town of Visegrad in eastern Bosnia. The Visegrad authorities are hoping for a boost from the fact that the bridge has been declared a UNESCO World Heritage Site. But the town is a place still burdened by the terrible crimes committed there in the recent war.

Sometimes a paint-job renovation can really work wonders. Thus, for instance, in the shady garden of the Hotel Visegrad in the small town of the same name in eastern Bosnia. The furniture has been freshly painted and the façade of the inn also glows in new colours. The tables are well occupied at lunchtime today, mainly by locals, as one can tell from the licence plates of the cars in the parking lot. Five years ago the place still looked completely run-down and was hardly frequented by visitors. Its garden restaurant is located next to the eastern end of the stone bridge, which was built 420 years ago to make a difficult and dangerous river-crossing easier on the highway leading from Sarajevo to Istanbul. This spring, UNESCO’s secretary-general, Koichiro Matsuura, visited and bestowed a certificate on the bridge, which had been inscribed on the World Heritage List the previous year. Since that time, Bosnia-Herzegovina is now represented by two sites on UNESCO’s list: the bridge over the Neretva in Mostar, and the one over the Drina in Visegrad.

A stage for three and a half centuries

Unlike the bridge in Mostar, which was completely destroyed in the recent war and became a much-photographed object once again only after being rebuilt four years ago, the Bridge of Mehmed Pasha Sokolovic in Visegrad is at least in part an original structure that bears witness to ‘the cultural exchanges between the Balkans, the Ottoman Empire and the Mediterranean world, between Christianity and Islam, through the long course of history,’ in UNESCO’s formulation. What is understood by such cultural exchanges was described by the author (and

diplomat) Ivo Andric, who grew up in Visegrad living with his aunt and died in 1975, in his most famous work, The Bridge on the Drina. The novel was part of his Bosnian trilogy, which earned him the Nobel Prize for literature in 1961. Andric’s works were required reading in the schools of the former Yugoslavia.

‘The bridge is about two hundred and fifty paces long and about ten paces wide save in the middle where it widens out into two completely equal terraces placed symmetrically on either side of the roadway and making it twice its normal width. This was the part of the bridge known as the kapija, the gate. Two buttresses had been built there on each side of the central pier which had been splayed out towards the top, so that to right and left of the roadway there were two terraces daringly and harmoniously projecting outwards from the straight line of the bridge over the noisy green waters far below. … That on the right as one came from the town was called the sofa. It was raised by two steps and bordered by benches for which the parapet served as a back steps, benches and parapet were all made of the same shining stone. That on the left, opposite the sofa, was similar but without benches. … On this part of the terrace a coffee-maker had installed himself with his copper vessels and Turkish cups and ever-lighted charcoal brazier, and an apprentice who took the coffee over the way to the guests on the sofa. Such was the kapija.’

In the 400 pages that follow, the kapija to a certain extent forms the stage for a lively tableau, extending over three and a half centuries, of life in Andric’s home town and of its Muslim, Christian and Jewish inhabitants. For a long time the bridge freed Visegrad from its geographically marginal position and brought travellers from all the world to the little town. The aim of the present local authorities is to find a way to latch on to this tradition. Opposite the hotel stands a new pavilion, recently built and still closed and empty but already marked as a tourist information centre. Right around the corner, built in a daring Yugo-modernist style, is the tall Robna kuca. That is what almost all department stores were called in the former Yugoslavia. In Visegrad, where the sparse traffic makes pedestrian zones unnecessary, this relic of a vanished era has not only survived but, it appears, it has even gotten a new paint job. Nevertheless, this Visegrad is hardly a boom town, but thanks to the bridge that is supposed to change soon.

Bold plans

At least that’s how the future looks to Milan Milicevic, the town’s current mayor and a member of the Serbian Democratic Party, founded by Radovan Karadzic. The chain-smoking town father first presents the visitor with an English edition of Andric’s novel, autographed by the mayor himself. Then he lays out his bold plans, which are to culminate in a close partnership with the

city of Mostar and are to include a project to rebuild a narrow-gauge railroad that was abandoned in the 1970s. All that is to be for the enjoyment of future hordes of tourists, who can come here to admire a newly re-established Orthodox monastery and, of course, the bridge, which is to be artfully restored in the near future by a Turkish firm, at a cost of 3 million euros.

At present, says Milicevic, most of the visitors come from Serbia or from the Republika Srpska, as the entity created during the recent war calls itself. But the first Japanese and Germans have already been sighted. An upswing in tourism is expected, he says. But where in Visegrad are all these foreign visitors supposed to stay overnight? Those coming from the Dalmatian coast could not possibly do the excursion as a day-trip. No problem, says the mayor. In the town and its vicinity there are three hotels with more than 400 beds.

One of these stands in a lonesome, wooded side-valley a bit further downstream and is part of a spa resort called Vilina Vlas. On the steps leading into the barely 30-year-old building (also built in the unmistakable Yugo-style) two cigarette-smoking gentlemen are standing, one of them with crutches. They are here to take the cure in the healing waters of the hot springs, which contain radioactive elements. The hotel is still awaiting privatization. The city administration, its present owner, has had some of the walls freshly painted, which however has not really improved matters. Seven cars and a tour bus (with Serbian licence plates) stand in the parking lot. Most of the 160 beds are not taken, despite the moderate price charged for room and board. Unthinking visitors from rich Europe might possibly appreciate the down-at-the-heels exoticism of the place. Unless they thought first to enter its name into an internet search engine.

Whoever does that will encounter abysses of human perversion that would shake even the most blunted sensibilities. Those who come across the research of the Balkan Investigative Reporting Network [BIRN] concerning the events of April 1992 in Vilina Vlas will find themselves transported into a wartime reality that could not be more terrible or more repulsive. The hotel served as the headquarters for the Serb militia in Visegrad during that period, while they were carrying out the so-called ‘ethnic cleansing’ of the area. At the same time it also served as a provisional prison for abducted Muslim civilians, mainly women and girls who were systematically raped in the hotel rooms. There are credible witness testimonies of the most severely abused female captives, who saved themselves from their tormentors by leaping across the balcony railings and committing suicide. The principal perpetrator and leader of the militia was a man born in the region, 25 years old at the time, by the name of Milan Lukic, who in the early spring of 1992, when fighting first broke out in the Drina valley, left his place of residence in Zurich in order to turn the idea of a Greater Serbia, promoted by figures such as Vojislav Seselj and other war criminals, into a reality in his homeland.

What was required to achieve this aim was the expulsion of all non-Serbs from Visegrad and its surroundings. In the 1991 census, 62 percent of the slightly more than 21,000 inhabitants had identified themselves as Bosniaks (Muslims), while only half as many were Serbs. Thus, just as in other regions of Bosnia affected by ‘ethnic cleansing,’ terror was employed as the principal method of driving out the Muslim majority population in Visegrad. The indictment issued against Milan Lukic by the UN tribunal in The Hague lists a series of executions and murders of Muslim civilians. Women, men, old people and children died locked inside houses which were set on fire by Lukic’s militiamen. Rapes, however, are not mentioned in the indictment.

Unpunished crimes

Bakira Hasecic, president of the association ‘Women Victims of War in Bosnia and Herzegovina,’ has bitter things to say about this fact. She herself comes from Visegrad, a survivor of rapes and other abuse along with her two underage daughters, and she is sure that she would always recognize Milan Lukic again, since he is missing an index finger. The event that prompted the founding of the association was a one-day organized return of Muslim women to Visegrad to visit their destroyed homes. What caused most indignation during the visit, says Hasecic, was that she and the other women recognized three of their former tormentors, although the men were now wearing the uniforms of the regular police of the Republika Srpska. The three later may well have been brought before a court. But the shock the women suffered finally prompted them to establish the association. Prior to that, the subject of rapes had been treated as strictly taboo in Bosnia. ‘It was very difficult for us to admit it publicly,’ says Hasecic, ‘we had to lay bare our souls to do it.’

That conversation took place two years ago, on the occasion of a showing of the award-winning Bosnian film Grbavica, which is based on the theme of a girl born as a result of a wartime rape and her relationship with her mother. At the time, Hasecic and other women victims from Visegrad could not understand why Milan Lukic, who was arrested in Argentina in the summer of 2005, was not charged also with rape, even though there was more than enough judicially relevant evidence for it. According to a report by BIRN, the prosecutors in The Hague have recently asked the court to expand Lukic’s indictment to include charges of rape, torture and abuse of prisoners. The acceptance of this request by the court would mean a partial success for the association of women victims: a result of their tirelessly maintained public pressure.

Function as a meeting place lost

Their insistence on reminding the public of the countless atrocities which took place only 16 years ago, and which for the most part have not led to prosecutions of those responsible, necessarily brought Hasecic and other victims of the war into the foreground of UNESCO’s festive certification of the bridge. On the bridge they placed a memorial tablet (which has long since been removed again), and they read out a list of the names of all the victims of the war from the Visegrad region: 3,000 according to their count, while other sources speak of between 1,200 and 1,500 dead. In any case, Visegrad is no longer the town described by Andric. Only a very small number of the expelled Bosniaks have returned to their rebuilt houses. Their exact number is unknown. The ‘ethnic cleansing’ of the region has been accomplished; what remains is a town robbed of its Balkan multiculturalism and thereby deprived of its richness.

On the day after the murder of the heir to the Austro-Hungarian throne, Franz Ferdinand, on 28 June 1914, writes Andric, an official announcement was posted on the kapija: ‘… printed in fat letters and framed with a broad black border. It announced to the people the news of the assassination of the crown prince in Sarajevo, and expressed outrage over this misdeed. But not one among those who passed in front of the announcement stopped to read it, but all passed by the poster and by the guard posted there with their heads lowered, walking as fast as they could.’

As of three months ago, a plaque placed at the end of the bridge announces its world-wide significance as a heritage site. The inscription arouses the interest of very few tourists who have come to visit the bridge on this early summer day. The locals who would pass it with their heads bowed are not to be seen. The historic structure has lost its function as a meeting place. The last time that the kapija served as a stage, for the time being, was during the summer of 1992. It was a stage for the murder of innocents, whose bodies disappeared into the Drina. But there is neither a novel nor an inscription to bear witness to that. And it is also not mentioned in the new tourist guidebooks that are gradually starting to appear again in Bosnia. Could it be that the paint-job renovation has achieved the effect it aimed for? Let us hope not.

Translated by András Riedlmayer from Neue Zürcher Zeitung, 11 July 2008. Martin Voker is the newspaper’s South-East Europe correspondent

Source: Bosnian Institute